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By admin, on October 15th, 2024
DJI announces the new DJI Air 3S dual-camera drone. Take a look at the new features inside this $1000 zone, which is said to be a minor refresh of the DJI Air 3.
The biggest upgrade we are able to witness in the new DJI Air 3 is the introduction of a large 1-inch sensor. The secondary camera has a 1/1.3-inch sensor for more flexible shooting. it uses a new Sony-made 50 MP 1-inch sensor, with a new panoramic mode of 13,000 x 6,500 pixels, providing ultra-detailed images of landscapes.
Now, this 1-inch sensor-based camera uses a 24mm equivalent focal length as the main camera, and the telephoto lens, which has 3x optical zoom or 72mm full-frame equivalent, uses a 1/1.3-inch sensor.
Another major update is the introduction of LiDAR for obstacle avoidance and 42 GB of internal storage. As we know, the predecessor Air 3 was limited to only 8 GB of internal storage, making this a welcome update.
Price and Availability
The DJI Air 3S is available to buy now,
DJI RC-N3 controller, costs $1,099. – B&H Store
Fly More kits cost $1,399 and $1,599
By admin, on October 15th, 2024
Let’s compare the Fuji X-M5 versus the Sony A6700 camera. We have compared the photographic & videography features in a separate table, so you can easily understand which camera is best for you.
If you are a photographer, which camera should you buy? Again, if you are a content creator, videographer, or wedding filmmaker, which camera should you choose?
Take a look at the specification comparison table below, where we have highlighted the major differences between the two cameras. They also have some similarities, but the good thing is that the Fuji X-M5 camera is able not only to compete but also to uplift the competition bar by upscaling the core specifications.
Fuji X-M5 vs Sony A6700 – 15 Major Differences for Photographers
| Feature |
Fuji X-M5 |
Sony A6700 |
| Sensor Resolution |
26.1 MP APS-C CMOS |
26 MP APS-C Exmor R BSI CMOS |
| Image Processor |
X-Processor 5 |
BIONZ XR |
| ISO Range (Photography) |
160 to 12,800 (Extended: 80 to 51,200) |
100 to 32,000 (Extended: 50 to 102,400) |
| Autofocus Points (Photo) |
425 Phase Detection Points |
759 Phase Detection Points |
| Autofocus Sensitivity |
-7 EV |
-3 EV |
| Continuous Shooting |
Up to 30 fps (Electronic, cropped) |
Up to 11 fps (Mechanical & Electronic) |
| Viewfinder |
No Viewfinder |
2.36M-dot OLED Viewfinder |
| Shutter Speed (Mechanical) |
1/4000 to 30 seconds |
1/8000 to 30 seconds |
| Mechanical Shutter |
Yes |
Yes |
| Image Stabilization |
NA |
5-Axis In-Body Image Stabilization (IBIS) |
| Sensor Type |
Standard CMOS |
Backside Illuminated (BSI) CMOS |
| Weather Sealing |
Yes (Dust & Water Resistant) |
Yes (Dust & Moisture Resistant) |
| Battery Life (Stills) |
Approx. 460 shots |
Approx. 570 shots |
| Weight |
355g (Body Only) |
493g (Body Only) |
| Memory Card Slot |
Single SD UHS-I Slot |
Single SD UHS-II Slot + CFexpress Type A |
Quick Analysis of Specification Differences between the two
The core specifications of the Fuji X-M5 camera look very impressive when compared with the Sony A6700 camera.
If you are a photographer, then of course you will miss the sensor-shift image stabilization in the Fuji X-M5, which is present in the Sony A6700.
Having image stabilization in your camera is really important if you shoot images in low-light environments. The image sensor compensates for hand movements even when you are using a slow shutter speed, resulting in neat and clean images.
Another feature that will help the Sony A6700 camera is the high ISO range, which is expandable from 50 up to 102400.
But wait, we still have some significant differences that might affect your choice. Another big difference for photographers to consider is the continuous shooting speed. If you don’t want any rolling shutter effect visible in your images, you have to use the mechanical shutter, as the electronic shutter can cause rolling shutter effects, especially with non-stacked sensors.
Autofocus Sensitivity and Tracking
Finally, let’s talk about the autofocusing systems of both cameras. We have seen the autofocus sensitivity difference between the two. If you compare them, the Fuji X-M5 camera looks very impressive with -7 EV autofocus sensitivity against the A6700 camera, which has -3 EV autofocus sensitivity. But this autofocus sensitivity only works once to acquire the autofocus point in extremely low-light situations.
Now, let’s consider a situation where quick moment-to-moment focus is needed. In this case, the Fuji X-M5 may focus more quickly compared to the A6700, due to its AF sensitivity. However, when we talk about autofocus tracking performance, due to the higher number of phase-detect autofocus points present in the Sony sensor—approximately 759 compared to Fuji’s 425—the tracking performance of the Sony A6700 sensor will be better than the X-M5.
So, we have two differences here. First, autofocus acquisition is better in the Fuji, but at the same time, the autofocus tracking performance is better in the Sony. Generally, most autofocus modes rely on the tracking performance of the camera, not on the acquisition part, so I would give a slight advantage to Sony in terms of tracking performance.
Design and Battery Life
Finally, let’s talk about the design part of both cameras. The Sony A6700 camera hand grip is deeper and much better compared to the Fuji X-M5. At the same time, we have a dedicated OLED viewfinder in the body of the Sony A6700 camera, which helps photographers who are used to using optical viewfinders from DSLRs. So, more or less, if we talk about ease of use and digital body design, the A6700 camera is more user-friendly.
At the same time, if we talk about battery backup, the Sony offers a bigger battery, resulting in more shots per charge—approximately 570+, whereas in Fuji, you are getting around 460. So yes, we do have some differences.
Conclusion: The best camera for photographer
should you go with the Fuji X-M5 or the Sony A6700? We get some extra features from inside to out with the Sony A6700 camera. Have a look:
The positive features of the Sony A6700 include the presence of a sensor-shift image stabilization system, which helps capture clear images in low-light environments. At the same time, the wide ISO range, starting from 50, is completely absent in the Fuji X-M5. Additionally, the A6700 offers a bigger battery life, which makes it a better option for professional photographers.
Not only that, but we also have a very large range of E-mount lenses from Sigma, Tamron, and many other brands. Although the Fuji X-mount is also open, it is not as big or broad as the E-mount at the moment, even though there are many options in X-mount.
Compared to the X-M5, we do see some advantages like autofocus sensitivity and continuous shooting speed. So, if you really want a camera with fast continuous shooting speed and don’t care much about the ISO range, image stabilization system, battery grip, or battery life, then the X-M5 might be a good option. However, for a photographer, we highly recommend the Sony A6700.
Fuji X-M5 vs Sony A6700 – 15 Major Video-Related Differences
| Feature |
Fuji X-M5 |
Sony A6700 |
| MAX Video Resolution |
6.2K up to 30 fps |
4K up to 120 fps |
| Slow-Motion Video |
1080p at 240 fps |
4K at 120 fps, FHD at 240 fps |
| Video Codec |
H.264/H.265 (HEVC) |
H.264/H.265 (HEVC), XAVC S-I |
| Video Bitrate |
400 Mb/s |
600 Mb/s |
| Video Recording Limit |
50 minutes in 4K |
No Recording Limit |
| Log Profiles |
F-Log, F-Log 2 |
S-Log 3, S-Cinetone |
| Autofocus Points (Video) |
425 Phase Detection Points |
759 Phase Detection Points |
| Autofocus Features |
Face/Eye Detection |
Real-time Tracking, Eye AF for Video, AI framing |
| External Recording |
4:2:2 10-bit via HDMI |
4:2:2 10-bit via HDMI |
| Viewfinder for Video |
No EVF |
Yes, 2.36M-dot OLED Viewfinder |
| Display Type |
3-Way Tilting LCD |
Fully Articulating LCD |
| Video Stabilization |
Electronic |
5-Axis IBIS + Active Mode for Video + Gyro |
| Audio Inputs |
3.5mm Mic Jack, 3.5mm Headphone Jack |
3.5mm Mic Jack, 3.5mm Headphone Jack |
| Mobile Streaming |
No |
Yes (IP Streaming 4K) |
video core specifications
Let’s compare the video core specifications between the Fuji X-M5 and the Sony A6700 cameras.
We have an open gate option in the Fuji X-M5, which videographers will love, especially for professional filmmaking, allowing them to decide the format and ratio for an entire scene. It’s better to record in open gate. In addition, we have options like Full HD mode at 240 frames per second for capturing slow-motion videos.
However, if you compare the X-M5’s features against the Sony A6700, you will miss the higher-resolution open gate mode. But aside from that, the Sony A6700 offers 4K @ 120 frames per second and can also record Full HD videos at 240 frames per second. The bitrate is approximately 600 Mbps, which is better than the X-M5’s 400 Mbps, even though Fuji offers a 6.2K open gate recording option.
A higher bitrate means more color information, and this will definitely help Sony users a bit more. In addition, we have a dedicated AI chip in the Sony A6700, which enhances autofocus tracking performance in video mode, including AI-based auto framing.
The good news is that Fuji is also improving their autofocus modes in the new X-M5 camera. Similar to Sony, they have introduced a product feature mode in the X-M5, showing Fuji is slowly trying to compete with Sony’s features in the A6700 camera.
Aside from all these features, the Sony A6700 has a 2.36-million-dot electronic viewfinder, which may not directly help with filmmaking, but is still a useful feature. However, the biggest factor is the presence of a sensor-shift image stabilization system.
With sensor-shift image stabilization, we can use active mode in video on the Sony camera to achieve smooth and stable footage. Sony also offers a gyro-based image stabilization system, which can smooth out footage like a GoPro when processed with special software.
Conclusion – Best Camera for Video
When you compare all these features, the Sony A6700 looks more appealing. However, if you are a Filmmakers (Independent or Short Films) prefer the open-gate recording format, you can go with the Fuji X-M5. But if you’re asking which one is more usable and practical camera, for
- For Wedding Cinematographers
- For Traditional Videographers (Corporate, Documentaries):
- For Content Creators
The Sony A6700 is more usable, with its 4K 120 FPS mode, advanced autofocus tracking with a dedicated AI chip, and hybrid image stabilization, which is the better option. The Sony A6700 simply offers a more advanced set of features.
Final Recommendations:
- Fuji X-M5 is recommended for filmmakers who need open gate recording and prefer high-resolution control.
- Sony A6700 is a all-in-one all-rounder for content creators, wedding cinematographers, and traditional videographers, features advanced autofocus, 4K 120 FPS, and Excellent stabilization features.
Fuji X-M5 Price
Fujifilm X-M5 Body: £799 / €899- B&H Store
Fujifilm X-M5 + XC 15-45 Kit: £899 / €999 – B&H Store
Sony A6700 Price
Sony A6700 Body: $1398 B&H Store | Amazon.com
Sony A6700 with Kit Lens: $1498 – B&H Store and Amazon.com
Support us – Use or affiliate link Amazon.com | B&H Store for the next purchase u make – it helps us
By admin, on October 8th, 2024
Panasonic has finally announced the Lumix S5D, the camera is actually a true successor or modified version of the original Panny S5. The camera retains the same 24.2MP sensor as the Panasonic S5, paired with the DFD (Depth from Defocus) contrast-detect autofocus system. This means the autofocus performance will remain slower and sluggish, aka less accurate than systems featuring phase-detect autofocus, unlike in the S5 II or S5 IIx models, where they have used the latest PHASE AF SENSORS.
Panasonic’s decision not to upgrade to a phase-detect autofocus system was likely to keep the price lower. To counter this, the S5D is compatible with DJI’s LiDAR system, which allows the latest Panny S5 camera to achieve faster and more precise autofocus. However, to use this feature, you must mount the camera on a DJI RS3 Pro or RS4 Pro stabilizer via a USB connection. Btw, with a little more effort and manul settings, u can use LiDAR even in Panasonic S5.
When considering the cost of adding a DJI RS3 Pro or RS4 Pro to this setup, it might be more practical to invest in the S5 II or S5 IIx, which already come with advanced autofocus systems built-in. The S5D feels more like a refresh of an older model, perhaps aimed at boosting sales of DJI stabilizers rather than offering groundbreaking improvements.
Panasonic S5D Major Specification
- 24.2MP Full-Frame CMOS Sensor
- Low pass filter : no
- Processor : Venus Engine
- Mount L
- Electronic viewfinder: OLED, 0.74 inch, 2.36 Mpts
- LCD screen : 3.2 inches, 1.84 Mpts
- Autofocus: DFD contrast detection
- Number of AF points : 225
- AF coverage : 100% (auto selection), 100×90% (manual selection)
- Automatic detection and tracking: Humans (head, eye), Animals
- AF range: -6 to 20 EV
- Sensitivity : ISO 100-51,200 (expandable from ISO 50 to 204,800)
- Burst (with mechanical shutter and AF tracking): up to 5 fps
- Burst (with electronic shutter and AF tracking): up to 5 fps
- Shutter speed: 60 to 1/8000 s
- Buffer : 24 JPEG + RAW; + 999 JPEGs
- Video: 4K 60p (with crop), 4K 30 fps, Full HD 60p, Slow motion Full HD 180p
- Storage: 1 x SD UHS-I + 1 x SD UHS-II^
- Wireless connectivity: Wi-Fi 5, Bluetooth 4.2
- Battery life: 450 images via LCD, 430 images via EVF
- USB charging: Yes, USB-C
- Tropicalization: Yes
- Dimensions: 132.6 x 97.1 x 81.9 mm
- Weight : 714 g
- Launch price : €1,599 (as a kit)
Panasonic S5D Press Release
Panasonic Unveils the Lumix S5D: A Powerhouse for Photographers and Videographers
October 8, 2024 – TheNewCamera.com
Panasonic has just introduced the latest addition to its full-frame mirrorless camera lineup, the Lumix S5D. Designed to cater to both photography enthusiasts and professional videographers, the S5D maintains the best features of its predecessor while adding some important upgrades.
The S5D comes equipped with a 24.2MP full-frame sensor—the same as the original S5—offering Dual Native ISO technology. This allows for better performance in low-light conditions, along with the ability to capture stunning detail and dynamic range with over 14 stops. The maximum ISO of 51,200 ensures the camera can handle even the toughest lighting conditions.
For advanced video creators, the recently announced Panasonic S5D supports 4K 60p/50p 4:2:0 10-bit internal recording, with 5.9K external recording option when paired with an Atomos recorder. This specific feature makes it ideal for hybrid shooters needing high-quality output for photos and videos or even pro cinematographer can opt it. Built-in Stabilization is also a standout feature, we have the same 5-axis in-body image stabilization (IBIS) as we have seen in S5 II, which can work in rythm with compatible lenses to provide up to 6.5 stops of shake reduction.
Panasonic will offer two different kit options for the Pannsonic S5D at launch: a kit with the newly announced 18-40mm f/4.5-6.3 lens, and another with the versatile 28-200mm f/4-7.1 zoom lens. Prices for the kits will start at €1599, making the S5D an attractive option for creators looking to enter the full-frame market without breaking the bank.
Expect availability by the end of October 2024. As always, stay tuned for more updates right here at TheNewCamera.com!
Panasonic S5D vs Panasonic S5 – Specification Comparison
Here is a comparison table of the Panasonic S5D and the original Panasonic S5 based on their major specifications:
| Specification |
Panasonic S5D |
Original Panasonic S5 |
| Sensor |
24.2MP Full-Frame CMOS |
24.2MP Full-Frame CMOS |
| Low Pass Filter |
No |
No |
| Processor |
Venus Engine |
Venus Engine |
| Mount |
L Mount |
L Mount |
| Electronic Viewfinder |
OLED, 0.74 inch, 2.36 Mpts |
OLED, 0.74 inch, 2.36 Mpts |
| LCD Screen |
3.2 inches, 1.84 Mpts |
3.0 inches, 1.84 Mpts |
| Autofocus System |
DFD contrast detection |
DFD contrast detection |
| AF Points |
225 |
225 |
| AF Coverage |
100% auto selection, 100×90% manual selection |
100% auto selection, 100×90% manual selection |
| Subject Detection |
Humans (head, eye), Animals |
Humans (head, eye), Animals |
| AF Range |
-6 to 20 EV |
-6 to 20 EV |
| ISO Sensitivity |
ISO 100-51,200 (expandable to ISO 50-204,800) |
ISO 100-51,200 (expandable to ISO 50-204,800) |
| Mechanical Shutter Burst |
Up to 5 fps |
Up to 7 fps |
| Electronic Shutter Burst |
Up to 5 fps |
Up to 7 fps |
| Shutter Speed |
60 to 1/8000 s |
60 to 1/8000 s |
| Buffer |
24 JPEG + RAW; + 999 JPEGs |
24 JPEG + RAW |
| Video Recording |
4K 60p (with crop), 4K 30p, Full HD 60p, Slow motion Full HD 180p |
4K 60p(with crop), 4K 30p, Full HD 60p |
| Storage |
1 x SD UHS-I + 1 x SD UHS-II |
1 x SD UHS-I + 1 x SD UHS-II |
| Wireless Connectivity |
Wi-Fi 5, Bluetooth 4.2 |
Wi-Fi 5, Bluetooth 4.2 |
| Battery Life |
450 images (LCD), 430 images (EVF) |
440 images (LCD), 470 images (EVF) |
| USB Charging |
Yes, USB-C |
Yes, USB-C |
| Tropicalization |
Yes |
Yes |
| Dimensions |
132.6 x 97.1 x 81.9 mm |
132.6 x 97.1 x 81.9 mm |
| Weight |
714 g |
714 g |
| Launch Price |
€1,599 (with kit lens) |
$1,997 (body only) |
Key Differences between the new Panasonic S5D and the Panasonic S5:
- The first noticeable advantage in the body is the Panasonic S5D has a slightly larger LCD screen (3.2 inches vs. 3.0 inches on the S5).
- Burst speed or Continuous shooting speed with both the mechanical and electronic shutters is lower on the S5D (5 fps) compared to the original S5 (7 fps). So we don’t know the exact reason why Panasonic decided to keep it slow in the new model.
- The New Panasonic S5D offers compatibility with DJI’s LiDAR system for improved autofocus when paired with a stabilizer like the DJI RS3 Pro, which is not an official feature on the original S5, but yes you can use it if you wish to.
- Video recording capabilities are similar as Panny original S5, but the S5D now officially supports slow-motion Full HD at 180p.
Overall, the Panasonic S5D is almost a copy of the original S5, with subtle updates like LiDAR compatibility and a slightly larger screen, though it retains the same sensor and processor.
TNC Take – I was expecting a proper announcement from Panasonic but its an just an refresh which can be done with a firmware update too, even with the older Panasonic S5 bodies.
By admin, on October 7th, 2024
According to the latest rumor, the Panasonic S5D camera may arrive on October 8, 2024. It has been reported that the camera will be a slightly updated version of the Panasonic S5. It will feature a new OLED electronic viewfinder, and the price with the kit lens will be somewhere around $1599.
Panasonic S5D initial specification
- Slightly updated S5 camera
- New Oled EVF
- Price with kit lens is 1599 Euro
- Lens Panasonic Lumix S 18-40mm f/4.5-6.3 Lens
There are also strong rumors about the Panasonic S1 H Mark II camera and Panasonic S5R camera
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM, to get LIVE News and Panasonic Rumor
source – Lrumors
By admin, on October 7th, 2024
Finally, the day arrived when Fuji started teasing the announcement of the Fuji X-M5 camera. Finally, after a long gap of Fuji X-S20, we will have a dedicated vlogging camera from Fujifilm. Let’s celebrate its arrival 🙂
Announcement will happen on X Summit CLAY Studio 2024 on October 14, 9AM EDT (6AM PDT / 7AM MDT).
Leaked Image of the Fuji X-M5 By Fuji Rumor Mill
Fuji X-M5 Specification
- 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
- X-Processor 5 Image Processor
- DCI/UHD 4K at 60 fps [4k 120 fps with crop]
- Dedicated Vlog Mode for Content Creators
- 425-Point Hybrid AF System
- Frame.io Camera to Cloud Integration
- 20 Film Simulation Modes
- 3.0″ 1.62m-Dot Vari-Angle Touchscreen
- Bluetooth and Wi-Fi Connectivity
- Announcement October 14, 2024
- Arrival: On or before Nov 2024 [may get delayed]
Stay tuned more updates coming
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source of images – Fujifrumors.com
By admin, on October 5th, 2024
Canon R5C Mark II Early specifications surfaced over the web, there is a high probability these specs are of one of the EARLY PROTOTYPE of the upcoming camera, in genral a camera maker tests several prototypes of a high-end camera before the finalize the production line version. Take a look at the set of specs, of the upcoming Canon R5C Mark II camera
Canon R5C Mark II Rumored Specification
- Dual System Design with Active Cooling:
The Canon R5C Mark II will continue the “dual system” setup as we have seen in the original Canon R5C, where the camera can function as both a high-performance stills camera (like the R5) and a cinema camera (for video production). The mention of a “square, thickened active cooling body” indicates that the upcoming R5C II will have an enhanced thermal management system, likely allowing uninterrupted recording in every ALL available resolution of the camera.
- Introduction of SDI Interface: Now, that’s the most important part of the rumored specs we have read so far, the Canon R5C Mark II upcoming camera will use or have an SDI port. Again as per the source, the camera maker may swipe the HDMI in favour of SDI, or they may keep both as an option to the user. SDI is typically more reliable and provides better signal quality over longer distances, which is a common requirement in professional video setups.
- The 4K RAW Video Changes: No lower quality 4K SRAW (which was a lower-resolution form of RAW), but instead will feature a higher-resolution format: 4096×4320 pixels. This is a sub-pixel merging technique, which effectively produces a more detailed “native” 4K output by using higher-resolution data and downsampling it intelligently. This likely improves image quality in terms of sharpness and color accuracy.
- The 4K/24-60p YUV Video: Introduction of Custom Sensor READOUT speed pattern as per user requirement
The R5C II offers a YUV video format in 4K resolution, with two modes:
- High-Quality Mode (8192×4320 Sampling): Here, the camera samples from an 8K resolution (8192×4320) to produce a very detailed 4K output.
- High-Speed Mode (4096×4320 Sampling): This mode uses 4K footage but samples it horizontally rather than vertically. This adjustment could be aimed at optimizing performance while maintaining good color depth and resolution in YUV422 format (commonly used in professional video work).
Overall, if we look at the rumored set of core specifications, the Canon R5 Mark II camera features enhanced core specifications compared to the original Canon R5C, especially in terms of resolution and video output options.
Stay tuned more updates are coming
Also, see – Canon Selling 2X More Cameras than Sony in China
Get Canon Latest 28-70mm F2.8 Lens from Amazon.com – B&H Store – Support this website
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Get LIVE RUMORS –> FACEBOOK | TWITTER | INSTAGRAM to get live news + Canon rumors 24X7
source – E8M_8888
By admin, on October 5th, 2024
In August, we posted information that Panasonic is preparing to announce the Panasonic S5R camera. Today, the Panasonic S5R video core specification leaked by popular source E88_8888 Take a look,
Panasonic S5R Video Core specification
- 8K FF 16:9 30fps 25ms (Readout speed)
- 5K S35 4:3 48fps 20ms Oversampling
- 5K S35 16:9 60fps 15ms Oversampling
- 4K S35 16:9 60fps 15ms Oversampling
- 5K FF OG 3:2 60fps 10ms Pixel-to-Pixel
- 5K FF 16:9 60fps 9ms Pixel-to-Pixel
- 4K FF 16:9 96fps 9ms Oversampling
- 4K FF 1.25x crop 120fps 7ms Pixel-to-Pixel
- Dynamic Range: FF 16EVs (FF4K)
Stay tuned more updates are coming
Also, We have published the core specifications of the to-be-announced Panasonic S1H Mark II Camera back in AUGUST 2024, have a look
Panasonic S1H II Rumored Specs
- 100dB DCG-HDR 22.5 megapixels BSI CMOS sensor
- Triple native ISO 640/2500/10000
- DR Boost on 3240p/80fps, 2160p/120fps, 1080p/240fps
- Super-fast phase hybrid autofocus
- ProRes RAW and ProRes RAW HQ internal recording
- 17stop Arri LogC4 gamma profile
- Built-in dual fans for unlimited recording
- 60 fps burst shooting with AE/AF and pre-capture
- Dynamic resolution function via subPDs with interlaced bayer CFA
- Full Frame Open Gate /120fps (SSR: 5760×3840)
- Full Frame 16:9 3240p/160fps (SSR: 5760×3240)
- Full Frame 16:9 2160p/240fps (SSR: 5760×2160)
- Full Frame 16:9 1080p/480fps (SSR: 5760×1080)
- Super 35mm A6:5 3240p/160fps (SSR: 3840×3240)
- Super 35mm 16:9 2160p/240fps (SSR: 3840×2160) Super 35mm 16:9 1080p/
- 480fps (SSR: 3840×1080)
- HEVC 10bit 4:4:4 Intra/LongGOP, AVC 10bit 4:2:2 Intra/LongGOP codecs at all resolution
- 9.44M ultra-bright 40 00nits 120Hz EVF
Latest Patent from Panasonic – Panasonic Working on BOX Style Cinema Camera With Optional Handgrip
Also, see – Panasonic S5R Latest Rumors
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source E88M_8888
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