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Panasonic GH5 vs. Sony A7R II vs. A7 II vs. A7S II

Panasonic GH5 image

Panasonic announced its new flagship cinema consumer mirrorless camera GH5 and we can say without a doubt as per the specification of the GH5 and future firmware updates promises us, it will continue to dominate the market for upcoming years.

We are comparing the Panasonic GH5 with Sony A7 series cameras, the common strength of A7 series is 2X sensor size compared to GH5. And due to sensor size per pixel area size (Photo diode) of the camera sensor is also large resulting more light capture capability.

Panasonic GH5 vs Sony A7R II

Panasonic GH5 features marvelous core specification but Sony A7R II camera domimated Mirrorless industry from past few months and also responsible for low sales volume of flagship fullframe DSLRs.  See what hap pen’s a camera holding 2X sensor size compared against a 4/3 sensor based mirrorless camera.

Features / Models

Panasonic GH5

Sony A7R II

Megapixel 20 megapixels 42.3 megapixels
Sensor size / type Four Thirds (17.3 x 13 mm) Full frame (36 x 24 mm)
Image processor
Venus Engine Bionz X
Low pass filter No No
Image stabilization 5-Axis (Dual IS) 5-axis
AF System Contrast detect sensor Contrast detect+Phase detect
AF points 225 points 399+25
ISO 100-25600 50-102400
Shutter Min/Max 60sec 1/16000 sec 1/8000 to 30 sec
Top Continuous Shooting Speed 12fps 5fps
Video 4k @60fps 4K @ 30 fps
Display 3.2″ 1.62m-Dot Free-Angle Touchscreen 3″ Rear Screen Tilting LCD (1,228,800)
Hot-shoe Yes yes
Battery Life (CIPA) 410 shots 290 shots
Wireless connectivity Built-In Built-In
weather sealed Yes Yes
Dimensions 139 x 98 x 87 mm 127 x 96 x 60 mm
Weight 725 g 625 g

1. Sensor and Megapixels


The Sony A7R II camera features world first 42.4 MP sensor that is made up with back-illuminated structure. The BinozX paired with the sensor enables faster readout , capability to record 4K videos and to capture amazing low-light shots  upto ISO sensitivities of 102400.

Panasonic GH5 uses newly develop CMOS sensor and new Venus engine processor in the heart of camera. The deadly combo allows users to capture 4K video at up to 60 fps, 10-bit 4:2:2 internal recording 12 fps continuous shooting, and sensitivities up to ISO 25600.

Sensor size comparison

Pixel and Sensor Size Difference

Whereas the Panasonic GH5 Features a M4/3 sensor with 20 MP resolution and A7R II feature FF sensor with 42 MP resolution. The Sony A7R II can extract 2X more details if we compare resolution only (20 MP vs 42MP) and the sensor size difference is also big and due to that the each pixel area (Photo Diode) of Sony A7R II is of 20.33µm2 and Panasonic is of 11.16µm2, hence the sensor pixel area / Photo diode of the Sony A7R II camera is approx 81% more compared to GH5.


Despite of being a fullrame sensor and 2X more size compared to Fourthirds the A7R II features 5-axis image stabilization system. The Panasonic also features 5-axis IS with DUal IS  with one more advantage that it can sync with OSS lenses and can provide Image Stabilization upto 5-stops in some situations.

2. Dual I.S

Panasonic GH5 features Dual I.S tech and in that the Panasonic sensor shift 5 axis image stabilization synchronized with lens based IS system and combat with 5 stops of camera shake.  Whereas, the Sony A7R II also features Dual I.S system that can compensate with camera shake upto 4.5 stops.

3. Stops of ISO difference (102400 vs. 25600)

When you use low ISO speed of any camera then your camera gives out best tonal reproduction and colors quality with very minimal or no noise in the image but when you shift-up the ISO to next stop and more.. as per your need you gradually  notice noise increasing with ISO sensitivity

ISO range is a very vital part of camera when we talk about image quality. The Panasonic MAX ISO range remains limited to 25600 whereas the ISO range of Sony A7R II is 102400.

More ISO range will allow you to use faster shutter speed and 5-axis IS advantage will give you extra support while shooting in  low-light environment.

4. AF System


The Sony A7R II AF screen as well as GH5 AF screen is shown above.

The Panasonic GH5 uses DFD (Depth From Defocus) AF system. The System quickly calculates the subject distance and lock AF in 0.05 Sec. The continues shooting speed of the Panasonic GH5 is 12FPS in Full Resolution on the other side the AF is supportive upto 9FPS only. The 225 AF zones of the camera system covers almost entire screen and helps you to lock and track AF without any hesitation.

Sony A7R II uses Fullframe sensor fabricated with 399 Phase AF points and 25 Contrast detect area.  Despite of having 2X More resolution and 2X More sensor size the Sony A7R II can attain 5FPS continuous shooting speed with Full time AF support.

If we compare Number of available AF points then Sony A7R II is a undisputed winner and if we compare Continuous shooting speed then Panasonic Gh5 becomes our first choice. So, it depends on use, if you are a sports shooter than

5. Video – 4K @ 60FPS |

Panasonic GH5 can record 4K Videos at 60fps whereas the Sony A7R II features 4K videos @ 30fps. So fact of the matter is you are getting 30 More frames in 4K mode which is just awesome. And the Sony A7R II will record 4k video @ 30fps with a 4:2:0 sampling at 8-bit, whereas Panasonic GH5 has the ability to record 4:2:2 10-bit files at resolutions up to DCI and UHD 4K at 24/30 fps.

6.Post Focus & Focus Stacking


Focus stacking is a feature in Post Focus Mode of Panasonic GH5. First you have to activate the Panasonic GH5 Post Focus Mode then you have to select either Auto Merging or Range Merging,  if u select the 2nd option then you have to select number of AF points (amount of area you want to keep in focus) and after stacking up all those points you get your subject under desired amount of Focus.

Other advantage of Panasonic GH5 camera includes a bit large and high resolution screen, batter battery life and $1000 less price.


Panasonic is the best consumer cinema camera available till date, not only consumer cinema Panasonic GH5 also features very advance DFD tech inside that that enables advance better AF system then A7R II. But, Sony A7R II camera is a entirely different approach, it features 2X sensor size compared to GH5 with more resolution and sensitivity level. Hence, if you want better image quality then go and get A7R II but if you want a all in one affordable system then GH5 is also a excellent option available in-front of you.

Best Lenses for Sony Sony A7R II | Best accessories for Sony A7R II

Sony A7R II available at Amazon and B&H

Panasonic GH5 available at Amazon | B&H

Panasonic GH5 vs Sony A7S II camera

Panasonic GH5 features cutting edge specification and A7 II camera carry a FF Hybrid sensor, let’s take a look how a 2 year old FF Hybrid sensor stand against the recently announced Panasonic flagship camera.

Features / Models

Panasonic GH5

Sony A7 II

Megapixel 20 megapixels 24 megapixels
Sensor size / type Four Thirds (17.3 x 13 mm) Full frame (36 x 24 mm)
Image processor
Venus Engine Bionz X
Low pass filter No No
Image stabilization 5-Axis (Dual IS) 5-axis
AF System Contrast detect sensor Contrast detect+Phase detect
AF points 225 points 117+25
ISO 100-25600 50-25600
Shutter Min/Max 60sec 1/16000 sec 1/8000 to 30 sec
Top Continuous Shooting Speed 12fps 5fps
Video 4k @60fps Full HD
Display 3.2″ 1.62m-Dot Free-Angle Touchscreen 3.0″ 1,228.8k-Dot Tilting LCD Monitor
Hot-shoe Yes yes
Battery Life (CIPA) 410 shots 350 shots
Wireless connectivity Built-In Built-In
weather sealed Yes Yes
Dimensions 139 x 98 x 87 mm 126.9 x 95.7 x 59.7 mm
Weight 725 g 556 g

1. Sensor and Megapixels

Same as of Sony A7R II the A7 also features Fullframe (36 x 24 mm) sensor which is 2X bigger than the Panasonic GH5 Sensor (17.3 x 13 mm).


The Sony A7 II camera offers bit more  resolution on the other side it also offers very large sensor pixels  35.50µm2 vs 11.16µm2. That’s you get a approx 218% large area of every pixel. That will help you to grab out vast amount of details from your camera sensor.

2. ISO

The ISO of both the camera is almost same at upper end, but the ISO range of Sony A7 II camera can touched to as low as 50 whereas the Panasonic base ISO level remains as ISO 100. So, having one more stop of increment in base ISO range supported by a Fullframe sensor will sure give u more more details in your images, better dynamic range and completely noise free images. The A7II images captured at base ISO have amazing details and will beat GH5 in no time and even due to larger pixel area the High ISO samples of the camera will carry less amount of noise compared to GH5.

3. AF Points and AF System analysis

The AF points of A7 II is bit less than the Number of AF points offered by Panasonic GH5 camera. The overall structure of AF system is also completely different in both camera. The AF acquisition time of Panasonic GH5 camera is as low as 0.05 sec . The Panasonic uses DFD AF system, as we have discussed several times the DFD is a dedicated AF hardware exclusively developed by Panasonic engineers that Match and even surpasses the AF speed of Sony A7 II Mirrorless camera Hybrid Sensor.

The Burst Mode

The Panasonic GH5 features 12fps continuous shooting speed and Panasonic GH5 gives out AF support upto 9FPS. After 9FPS when you switch to 12FPS you need to Lock AF to a point. Whereas, the Sony A7 II continuous shooting supports continuous shooting mode upto 5 frames per second.

4. Sony A7II –  Dual 5 Axis System vs. GH5 Dual 5-Axis

Panasonic GH5 vs A7 II

The Sony A7 II is the first Sony camera to features 5-axis image stabilization support. And Do you know that Sony 2 years old A7 II camera also works in Dual IS mode when paired with OSS lenses, With OSS lenses the camera uses 3 axes on the sensor and the Pitch/Yaw of the optical stabilization of the lens. With Non-OSS lens that do AF and communicate the focus distance to the camera, the A7 Mark II will use 5-axes on the sensor. The Sony A7 II compensate camera shake upto 4.5 stops.

Implementing DUAL 2 (the first gen of Dual IS was used on Panasonic GX8 camera) I.S in Panasonic GH5 is a clear effort to grab out utmost sharpness from the frame. However, the Dual I.S need compatible lumix lenses that features O.I.S. Dual IS system and can compensate 5 stops of camera shake when paired with OSS lenses.

5. Video

4K vs Full HD vs others

No comparison, Panasonic GH5 can record 4K video @ 60fps whereas the Sony A7 II camera limited to Full HD mode.

6.Post Focus & Focus Stacking

With Panasonic GH5 and bit sacrifice in resolution you get POST FOCUS mode just like a Lytro camera. When you activate the Panasonic GH5 Post Focus Mode the camera allow you to select desired area which you want to keep under AF. After that the camera create a composite of images that merging each frame with other to create a stack of images by having a customized focused area as desired by the user.

7. Others

other features include touch screen, longer battery life, but surprisingly Sony A7 II is light-weight and  bit smaller than the GH5.


We recommend Panasonic GH5 features over Sony A7 II camera since the camera is two year old and waiting for an update. The Sony A7 II do have bigger pixel size but lastly it won’t make a ground braking difference due to limited resolution and ISO of the camera. And again as we have discussed  above the Video recording of A7 II is limited to Full HD mode only.

At an affordable cost you are getting Advance AF system, more burst rate, 4K photo mode,  Dual IS 2 featuring 5 stops of shake compensation, Post Focus & Focus Stacking and finally 4K video with 60fps mode.

Panasonic GH5 available at Amazon | B&H

Sony A7S II vs GH5

Panasonic GH5 is a wonder cam that completes almost all your wish if you are a cinematographer, even for still shots the GH5 is a excellent too but how it will stand against A7S II camera that have ability to capture crisp shots in moon light.

Features / Models

Panasonic GH5

Sony A7S II

Megapixel 20 megapixels 12 megapixels
Sensor size / type Four Thirds (17.3 x 13 mm) Full frame (36 x 24 mm)
Image processor
Venus Engine Bionz X
Low pass filter No No
Image stabilization 5-Axis (Dual IS) 5-axis
AF System Contrast detect sensor Contrast detect+Phase detect
AF points 225 points 169 points
ISO 100-25600 50-409600
Shutter Min/Max 60sec 1/16000 sec 1/8000 to 30 sec
Top Continuous Shooting Speed 12fps 5fps
Video 4k @60fps 4K @ 30fps
Display 3.2″ 1.62m-Dot Free-Angle Touchscreen 3.0″ 1,228,800-Dot Tilting LCD Monitor
Hot-shoe Yes yes
Battery Life (CIPA) 410 shots 370 shots
Wireless connectivity Built-In Built-In
weather sealed Yes Yes
Dimensions 139 x 98 x 87 mm 126.9 x 95.7 x 59.7 mm
Weight 725 g 556 g

Sony A7S II has already become the first choice of photographers those who love to shoot in available light, the A7S series is world first camera to break out 409600 ISO Mark at consumer level.

Sensor and ISO

Sensor size and pixel

Before we begin we must let you know that the Sony A7S II camera pinned it’s name as one of the best camera available for low-light shooting.  Due to fullframe sensor low resolution of 12 MP the sensor have gigantic pixels / photodiode size of A7S II is approx 70.55µm2 whereas the sensor pixel area of Panasonic GH5  is 11.16µm2 which is very small compared to A7S II. So you can notice out the large difference in each pixel area of both sensor.

The large pixels of the Sony A7S II camera is able to grab out maximum amount of details from available light and hence you get a super clean noise free images with excellent color and contrast even at high ISO range. I have personally examined the high ISO samples of the camera and found that the A7S II images are usable upto 51200, whereas the Panasonic GH5 maximum ISO range of limited to 25600.

So if you are looking for image quality / low-light performance then stop reading this specification comparison right now and go get Sony A7S II camera.

Image Stabilization

Sony A7S II Dual IS

Panasonic doing a lot of effort to publicize it’s Dual I.S 2 and they also claims that it works upto 5 stops of camera shake. On the other side we have Sony A7S II camera that do have 5 axis IS inside it and also work in sync with OSS lenses (yep A7 series also use Dual IS tech.) and provides image stabilization upto 4.5 Stops.

You will be surprised to know that Sony A7S II also features Dual IS mode just like Panasonic GH5. The Sony A7S II camera compensates five types of camera shake that may occur during handheld shooting.  With OSS lenses the camera uses X and Y  axes on the sensor as well as Roll compensation and the Pitch/Yaw is managed by optical stabilization of the lens.

So, fact of the matter is Sony A7S II is giving you 4.5 Stops of shake compensation whereas the Panasonic GH5 is able to provide 5 Stops of shake compensation, so Panasonic GH5 is a clear winner.

But, I am not able to leave this topic here, as you know the basic of photography rules and exposure triangle. When you raise ISO value the camera allow you to use faster shutter speed and in-turn you lessen up the chances of getting a fuzzy shot. As you know the A7S II allows you to increase is ISO level upto 409600 and believe me with A7S II you can extract a crisp picture even in a full-moon night, no other light source required. 

AF System

Panasonic GH5 features better and fast AF system compared to Sony A7S II camera. As you know that the dedicated DFD (depth from De-focus) enables Panasonic GH5 to lock down AF in 0.05 sec and GH5 support Auto Focusing upto 9 frames per second whereas the continuous shooting speed of Sony A7S II remains limited to 2.5 FPS only with AF support.

Despite of having small sensor the Panasonic GH5 features large number of AF points(225) compared to Sony A7S II camera (169). Hence the frame coverage of Panasonic GH5 is more than of the Sony A7S II camera and undoubtedly the Panasonic GH5 will track AF more precisely compared to Sony A7S II camera.


The Panasonic can shoot videos 4K @ 60fps whereas the Sony A7S II camera remains limited to 4K @ 30 fps. But again, with Sony A7S II you can push out your ISO range to 409600 whereas the Panasonic GH5 hold your hand when you reached ISO 51200.

while strictly talking to the video specification of the camera Panasonic GH5 do offers better video specification and not only that Panasonic also promised future firmware updates that will arrive on April month of 2017 This update will bring 10-bit 4:2:2 full HD capture to the camera.

WiFi and NFC

The Sony A7S II camera features WiFi and NFC connectivity and with playmemory app and you can  connect, share transfer and even control you A7S II camera with smartphone. Whereas, Panasonic GH5 doesn’t have such well featured connectivity option.

The Panasonic GH5 features better battery life as well as affordable body, yes you pay $1K less when you buy Panasonic GH5.


Above we have very briefly discussed the core specification of booth the camera. The Sony A7S II camera is a flagship device for low-light photography and Panasonic GH5 is a flagship mirrorless camera for creating cinematic videos. Both camera are based entirely different approach, hence select you device based on your needs.

Buy Panasonic A7S II camera from Amazon

Panasonic GH5 available at Amazon | B&H

Red Helium - New Low Light KING at DXO Mark Lab


Red epic Dragon and Helium become the first camera to cross 100 marks barrier in DXO mark lab test score. Till now the Sony A7R II camera was the undisputed winner of the DXO mark lab. But is it logical to test a $59K camera with $3K camera ? We don’t think so…

RED is the NEw King

The Red Helium camera features of 35.4 megapixel CMOS sensor and it can capture 8k @ 75 fps  and 8K RAW @ 60 frames. The Camera can also capture 120 FPS at 4K resolution. Take a look at the detailed specification of the camera

  • 35.4MP CMOS sensor
  • 75 fps 8K capture at 2.4:1 (8392 x 3456)
  • 60 fps RAW full 8K resolution
  • 120 fps at 4K resolution (240 fps at 2K)
  • 300 MB/second data readout
  • Captures in 16-bit RECODE RAW or Apple ProRes or Avid DNxHR/HD
  • Super 35-format sensor (29.90 mm x 15.77 mm)
  • Integrated dual-channel audio
  • Integrated REDLINK WiFi antenna
  • Upgrade path to WEAPON 8K VV (when available)

After the arrival of RED the Sony A7RII got slipped on third place in the table. But the red has established itself in the hearts of cinematographers.

But, is it fair to compare $29K or $59K camera with a $3K consumer camera? Share your thoughts with us. From our point of view DXO Mark should have a new category of PRO Cinema cameras and in that table they should stack up RED Dragon, Canon EOS C700 and Sony FS7 Mark II etc.

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Why Mirrorless is Better than SLT Technology

Here we will discuss the Why Sony Mirrorless is Better than Sony SLT Technology. I will keep this article short to tell you the downside of the SLT technology used by Sony in its SLT series camera.

Now before we begin take a look at the image sensor below.

Sony A7R II and A99 II sensor image

42.4-megapixel Exmor R CMOS sensor from Sony

The sensor you see above is the same sensor used inside the Sony A99 II and Sony A7R II camera. The sensor features 42 Megapixels of resolution and 399-point focal-plane AF system located on the image sensor.

Difference between SLT and Mirrorless

Difference between SLT and Mirrorless

As you can see in the image the SLT technology uses a fixed translucent mirror inside that redirects some portion of light to the dedicated Phase AF sensor of the camera. Whereas the Mirrorless technology delivers 100% light to the sensor.

Which one is better: SLT or Mirrorless  ?

Before speculating the percentage of light used by the mirror let’s see the sensor test score of both the camera carrying same sensor. The test Conducted by DXOMark Lab.

Sony A99 II vs Sony A7R II test score image

Sony A7R II outperformed Sony A99 II During Test

As you can see the low light ISO score of Sony A99 II camera is 2317 only whereas the low-light score of Sony A7R II camera is 3434. And not only low-light ISO the Dynamic range, Portrait and Overall score of the Sony A7R II camera is better than the Sony A99 II camera.

As you can see the result of same sensor inside two different camera body, which is completely different compared to each other. The fixed translucent mirror grabs out a good amount of light before reaching to the sensor and in-turn you get inferior image quality.

Sony A99 II is recommended when..

you want to shoot sports and birds on flight, the dedicated phase AF sensor works in-collaboration with 399-point on-chip focus system of Hybrid CMOS AF sensor.

Features Sony A99 II Sony A7R II
12 FPS with continuous AF 5 FPS with continuous AF

You can see the Sony A99 II offers continuous AF drive of 12fps with fulltime AF tracking whereas the Sony A7R II remains limited to 5fps of continuous shooting speed with AF tracking.

Sony A7R II Best Zoom Lenses

Best Sony A7R II zoom lens image

Sony A7R II Best Lenses test done by DXOMARK Team, these set of Highly recommended lenses for Sony A7R II camera is selected by DXO Mark experts after testing all the lens with Sony A7R II camera.

Lenses Name  DXO Mark Score
70-200mm F4 G OSS – Amazon | B&H 34
24-70mm F2.8 GM – Amazon | B&H 33
16-35mm Zeiss F4 ZA OSS – Amazon | B&H 33
24-70mm Zeiss F4 ZA OSS – Amazon | B&H 31
28-70mm Sony F3.5-5.6 OSS – Amazon | B&H 28
70-300mm Sony 4.5-5.6G OSS – Amazon | B&H 26
24-240mm Sony F3.5-6.3 OSS – Amazon | B&H 26

Take a look at the list of lenses recommended by DXO Mark Lab for Sony A7R II camera. The post doesn’t need any further analysis, you have all the score cards in your front and it’s very easy to pick up the lens you need for your cam.

My favorite lens in the list is Sony 24-70mm F2.8 GM, the lens features bright F2.8 aperture throught the focal length and  take extremely sharp images with creamy DOF. A excellent tool for golden hour shooters and night-bugs.  Sony A7R II and Sony 24-70mm F2.8 GM – That’s all you need to cover a event.

Also see – Best Lenses for Sony Alpha A7RII

Also see – Best accessories for Sony A7R II | Sony A7R II at Amazon and B&H

source – DXO Mark

Pentax K-1 vs Sony A7R II - High ISO Test

Take a look at the HIGH ISO Test between, Pentax K-1 vs Sony A7R II -= The Sony A7R II features 42MP Full-Frame Exmor R BSI CMOS Sensor and Pentax K-1 features 36.4MP Full-Frame CMOS Sensor.

As we know that the Pentax K-1 also uses Sony Sensor, the 36.4MP Full Frame Exmor CMOS Sensor inside the Pentax K-1 camera is of Sony A7R camera and on the other side we have Sony A7R II camera that uses newly developed 42MP Full-Frame Exmor R BSI CMOS Sensor, let’s find-out which one is best.

Pentax K-1 vs Sony A7R II
Pentax K-1 vs Sony A7R II - ISO 3200

The from above images samples we can clearly see that both the camera produces excellent image quality, at ISO 3200. We are not able to stop any major difference between them.

Continue reading Pentax K-1 vs Sony A7R II – High ISO Test

More Sony A7R II High ISO Test


We have already published a bunch of High ISO Test images earlier – Sony A7R II vs A7S  and VS A7R, Now we putting all the rest High ISO Test at one place.

We are beginning with a medium format camera Pentax 645Z, the camera will cost you more than a small car but it will give you more details compared to the Sony A7R II camera.

Sony A7R II vs. Pentax 645Z 5

I can clearly see more details in the A7R II image compared to the Nkon D810 camera.

Continue reading More Sony A7R II High ISO Test

Best Lenses for Sony Alpha A7RII

A7R II has been the glorious camera of Sony, the packs stunning specifications, out of which a few specifications are just more than an outstanding like brilliant 42.3mp of resolution and an innovative AF system  with 399 focal plane phase detection AF points.

But now if you are going to purchase this camera then you must be shaking your head in searching best lenses that can give your camera a frictionless fitting and surprise you with its performances.

here are the best lenses that we are recommending to you for your beloved A7R II camera.


Take a look a the Best Lenses for Sony A7R II


Best Lenses

Best Portrait Lens
SONY FE 55 F1.8 ZA
Best Macro Lens Sony FE 90mm F2.8 Macro G OSS
Best Wide-angle prime Lens Zeiss Batis 2/25
Best Standard Prime Lens Sony FE 35mm F1.4 ZA
Best event Shooting / Standard Zoom Sony FE 24-70mm F4 ZA OSS
Best Wide angle Zoom Lens Sony FE 16-35mm f/4 ZA OSS
Best Tele-Photo Zoom Lens Sony FE 70-200mm F4.0 G OSS



Best Lenses available for Sony Alpha A7RII for portrait shooters:-

Zeiss Batis 1.8/85 – Highly recommended

 Zeiss-85mm-F1.8-Lens-imageBuy this Lens from B&H

The lens shows a best example of pure designing lens for full-frame E-mount mirrorless cameras. It’s Fast f/1.8 maximum aperture that let you to feel the champion photographer in dimmer light conditions and provide you a great control over depth of field for selective focus applications. The lens is composed of of 11 glass elements within 8 groups and floating elements design to minimize the producing of unwanted aberrations and distortions, Optical image stabilization used throughout the lens to keep your images away from the blur arises due to camera shake and the silent wave motors incorporated into the lens design to provide you  smooth, fast, and quiet operation.

The optical image stabilization helps to reduce the camera shake as well as its linear motors support its autofocus to perform smooth and ultra-fast .

The lens is highly recommended for your Sony FF mirrorless system is you can afford it, it will sure add a newd dimension to your photography.

The users haven’t worry about its health as it is totally saved by its dust and weather-shield made.




SONY FE 55 F1.8 ZA

FE-55mm-F1.8-ZA-Lens-image Buy this Lens from B&H

The creative design of this lens will provide you an easy handling within and it also features a bright f/1.8 maximum aperture benefits in low light conditions. For portraiture, low-light and everyday photography that delivers you an incredible sharpness images. The Carl Zeiss T* anti-reflective coating superbly decreased lens flare and ghosting from the images provide you neat and clean images with sustained color neutrality. The incorporation of Nine-blade circular diaphragm enables you natural out-of-focus quality comfortably fit to shallow depth of field imagery.


Best Macro Lenses available for Nikon A7R II

Sony FE 90mm F2.8 Macro G OSS – Best Macro Lens for A7R II

 best-macro-lens-for-Sony-A7Buy Sony Macro Lens from Amazon | B&H

A 90mm prime telephoto lens with 1:1 macro capability,  f/2.8 maximum aperture range provides you an effective shooting in low light situations and produce shallow depth of the field. The lens equivalent to a 135mm lens in the 35mm/full-frame format that can give you a sound used in APSC sized sensor. Internal focusing enables you to achieve focus means only the middle groups of the optical system involve in the operation to achieve more focus.  The Direct Drive Super Sonic Wave AF Motor that employs piezoelectric elements oscillating at ultrasonic frequencies drive the focus lens groups which is necessary thing in Macro photography, The lens based image stabilization to rectify the errors of camera shake, spherical aberration also be reduced due to Aspherical lens design, Extra-low Dispersion and Super Extra-low Dispersion glass elements to suppress chromatic aberration and deliver you sharp images with accurate color. Nano AR Coating technology helps you to get rid of ghosting and flare, Circular aperture to provide a pleasing background Bokeh.

Best Wide-angle prime lenses for the Sony A7R II camera

Zeiss Batis 2/25 – Highly Recommended Wide angle prime lens

25mm-Lens-imageBuy Wide angle Lens from B&H

Such type of lens is used for full-frame E-mount mirrorless digital cameras as well as also used on APS-C-sized E-mount cameras. On APS-C cameras it offers a focal length of 37.5mm. It’s maximum aperture of f/2 suitable for capturing images and it also makes the control over its focus.

It is based on Distagon optical technology which incorporates 10 glass elements within 8 groups and its floating elements design is sufficient to reduce aberrations formed in the path of focus. It’s Zeiss T* anti-reflective coatings help to lessen the reflections in order to gain clear, sharp and better composition of colors. The integrated OLED display of the lens automatically recognizes the range of the focus even in low-light conditions. The linear motor of lens is beneficial for its autofocus performance through which it provide smooth and fast performance. It is totally dust and weather –shield.


Sony FE 35mm F1.4 ZA – Best lens for street shooters


 FE-35mm-f1.4-ZA-Lens-imageBuy Wide-angle Lens from Amazon | B&H

wide focal length is the key reason of this 35 mm prime lens that makes the lens more ideal for landscape, documentary photography and also for photojournalism, the lens is more effective in low light conditions, For APSC camera the lens provides a 35mm focal length equivalence of 52.5mm. Direct Drive Super Sonic Wave AF Motor within the lens could give you best video recording result, the implementation of aperture ring inside the lens that makes it more ideal for professional photographers and for film making purposes, Advanced Aspherical and Aspherical lens elements faithfully reduces spherical aberration and images with extreme sharpness will sure impress you as well as the coating of ZEISS T* (T-Star) that dramatically eliminates ghosting and flares. The design of this lens in such a way that it can easily resist dust and water.


Sony FE 35mm F2.8 ZA

 Sony-A7R-II-Zeiss-35mm-F1.8Buy this wide-angle prime Lens from Amazon | B&H

The Sony Sonnar T* FE 35mm f/2.8 ZA Lens is a prime, wide-angle lens with the maximum aperture of f/2.8 and works magnificently in low light-condition.

Its lens is based on Carl Zeiss quality which makes effective impression on its resulting image. It is the combination of three double-sided aspherical elements which is sufficient to eliminate the spherical aberration and makes the image sharp and clear. It is based on an internal focusing mechanism which maintains the lens length during focusing and improves the performance of the lens.

It is based on the Seven-blade circular diaphragm which improves the focus quality and supports the depth of field.

It has Carl Zeiss T* anti-reflective coating which reduces the lens flare and ghosting and results in improved contrast and color combination.

It is designed in such a way that the users needn’t worry about the dust and moisture because it is weather –shield. The lens is not Zoomable.


Sony FE 28mm f/2

28m-F2-lens-imageBuy Sony 28mm Lens from Amazon | B&H

It is a full-frame compatible wide-angle prime lens for E-Mount mirrorless cameras and also compatible to APS-C format E-Mount cameras. It supports the similar angle-of-view in the lens of 42mm as well as in 35mm full-frame camera.

It is designed in such a way that its extra-low glass elements minimize the chromatic aberrations and improves its contrast level. Its multi-coating reduces the flare and ghosting and results in impressive and improved quality of the image and compatible with Sony’s Ultra-wide and Fisheye converter lenses. Its 9-blade system improves the out-of-focus highlights.

It has the internal focus system and a linear actuator autofocus mechanism which speed up the performance in both still shooting and video recording. The linear actuator AF system provides smooth and quiet AF action. Due to the presence of this system, it provides fast auto focusing and a short minimum focusing distance.

It is designed in such a way that it is compatible to the compact E-Mount cameras. It has full safety towards dust and moisture because of its weather –shield property.


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A wide-angle to portrait-length zoom lens allows to a constant f/4 maximum aperture for consistent performance throughout the zoom range. Five aspherical elements and one extra-low dispersion element help in correcting the aberrations and distortions throughout the zoom range while contributing to high sharpness images. Carl Zeiss T* anti-reflective coating help the images to be safe and sound from the effect of the ghosting and flare. Optical SteadyShot image stabilization will leave no chance for the camera shake problem to create the blurry images and better suit working with longer shutter speeds and telephoto focal lengths. Circular diaphragm enables natural form of the background Bokeh. It has the dust and the moisture-proof body and works in any environmental condition.


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This lens is designed in such a way that it can be used for both full-frame E-mount cameras as well as APS-C E-mount cameras due to its wide-angle zoom. Its maximum aperture of f/4 shows its better performance.

Its Optical SteadyShot image stabilization provides the users to work in low light conditions with the reduction in camera shake up to four shutter speed steps.

Its optical designing is supported by five aspherical elements, including a large advanced aspherical element and supported by its three extra-low dispersion elements to help in the reduction of chromatic aberrations.

The lens elements is protected by the Carl Zeiss T* anti-reflective coating, which lessen the lens flare and ghosting and also offers the lens with better color combination and clarity.

Its circular aperture diaphragm helps to keep the aperture in circular shape so that it can works smoothly and can offers natural defocusing.

It has an Optical SteadyShot image stabilization , which supports to lessen the camera shake up to four shutter speed steps , which is beneficial for those users who works in dim-light.

It has the combination of five aspherical elements which includes one AA (advanced aspherical) element, and three ED elements which helps to reduce chromatic aberrations.

Its safety is provided by Carl Zeiss T* anti-reflective coating, which produce the color combination with clarity with the reduction of lens flare and ghosting.


Best Telephoto-zoom Lens for Sony A7R II

Sony FE 70-200mm f/4.0 G OSS – Best tele-lens for shooting wildlife and sports


It is a full-frame E-mount lens which has the equivalent focal length of 105-300mm on APS-C cameras. Its aperture of f/4.0 is suitable for low-light conditions at any focal length. Such type of lens is suitable for those users who want to capture portraits and sports action.

The Sony FE 70-200mm f/4.0 G OSS Lens is a full-frame E-mount lens has the equivalent focal length of 105-300mm compatible to APS-C cameras.

It has the inclusion of Super ED and Advanced aspherical elements, which supports to reduce the aberrations and distortions.

Its 9-blade aperture produces good bokeh when the lens is wide open.

It is layered by Nano AR coatings, which supports to minimize the effects of flaring during photography. It has dust and weather-shield construction.

Its Dual Linear Motor Autofocus System offers the improvement in its performance.

It is co-operated by Optical SteadyShot image stabilization, which improves the sharpness at long focal lengths or long shutter speeds. It also includes a removable tripod collar and a lens hood for its better performance

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