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Panasonic GH5 / GH6 Coming with 6K Video

Panasonic-GH6-coming-with-6Panasonic next GH series consumer level camera is excepted to record 6K video. The news surfaced over the web via Japanese publication Nikkan, according to the magazine the camera will arrive with 6K video recording @ 30frames per second.

The best part is while recording 6K video the every frame you record is of 16 Megapixels, so you can grab 16 Mp stills from 6K video anytime you want.

The news is not new during earlier Panasonic also confirmed that they are also working on a 8K consumer level camera.

On May 21st, 2015 we have published, During the Panasonic G7 announcement Panasonic revealed  its future plans of 8K video, including 4K at 60fps and 120fps, take a look at a snapshot what ephotozine writes

Panasonic announced plans for future 4K and 8K video and photo features, including 4K at 60fps and 120fps, as well as the ability to take 33 megapixel still images from 8K video footage. They say they are planning to have this technology ready for the Tokyo 2020 Olympic games. No further information was given at the time.

Panasonic plan is perfect, they will announce a 6K consumer level camera on Q4 of 2016 OR Q1 of 2017 and a 8K capable camera on 2020.

We have also updated you Panasonic upcoming camera chart based on latest rumors. Keep in mind this is a reference created on the basis of Panasonic camera announcement history.

Also take a look at these articles

Panasonic Resumes Sensor Development – Working on 8K Camera and also take a look at Panasonic Working Next Generation of Image Processor to Support 8K


Now Shoot 6.5K With ALEXA 65


Now 4K is old and 6.5K wave is started by newly announced ALEXA 65, the ALEXA 65 features newly developed A3X CMOS sensor inside it which is made up of three sensors with a total imaging area of 54.12mm x 25.59mm, the sensor gives you a recordable resolution of 6560 x 3102 pixels, with a dynamic range of more than 14 stops.

ALEXA 65 Major Features

  • 65mm Digital Cinema Camera
  • ARRI A3X CMOS sensor
  • 5-perf 65mm (full camera aperture)
  • 6560 x 3102 resolution (maximum recordable)
  • 54.12 x 25.58 mm Sensor size (active image area)
  • Weight: 10.5 kg / 23.2 lb
  • ARRI XPL Mount (64mm diameter)
  • 200 – 3200 ISO. Base is 800 ISO
  • Dynamic Range: >14 stops
  • Uncompressed ARRIRAW
  • LDS metadata
  • Electronic Shutter 5° – 358°, adjustable in 1/10° increments
  • 0.75 to 27 fps (upgrade to 60 fps planned for early 2015)

ARRI also has huge set of rehoused Hasselblad lenses — those includes 8 primes ranging from 24 to 300mm and a 50-110mm zoom. The price and availability information is not know yet, we will update you soon as we get any new info.

ALEXA 65 vs Fullframe Sensor – sensor size comparison of recently announced tailored made ALEXA 65 sensor and standard Fullframe sensor.


New Red Dragon with 6K output and + 3 F STOPS


Red Digital Cinema Camera Company started a new revolution again, the company introduced 6K Sensor and Mark Toia is one of the first cinematographers to test out the Red Dragon sensor. Take a look at the video and read the comment made by Mark Toia (below video)

The Red Dragon sensor has 3 F STOPS more than before. 1 in the hight lights which rolls over wonderfully !, 2 solid extra stops in the darks…. maybe 3 once the colour science has been perfected.
But there is still noise, but nothing like before. I ran some 250d 2k film rushes next some of my 4000asa stuff, And silly as it sounds, it looks like film grain, not noise. Don’t ask me how, as I wouldn’t have a clue. But it looks great !

Red Dragon now has the best highlight fall off I have ever seen from any digital camera. Beating film! Big call I know, but after shooting film and pushing it around in telecine chains for more than a decade, I can categorically say that this new sensor has a better range than film ever had.

Single still frames compared to a top of the line professional 35mm Digital stills cameras, I’m going to say that the EPIC matches, if not betters most. Don’t ask me how they do it, but every single frame from the DRAGON is 109meg !! @16bit when saved as a tiff from RCX. and at 100 Frames per second, I tell you this… someone has sold there soul to the devil.
If you are a pro photographer, you are mad if you don’t have this camera in your tool box. You quite literally will never miss a single shot.

Is Dragon better than 65mm Film…. (with good lenses) YES. No shit…
The images out of the Dragon are so smooth now… so so smooth, like low asa large format film.

The Dragon is more stable than my current MX EPIC’s.

The SONY F65 I rate as having the best sensor in the market for a production cine camera. Yes.. it’s better than the EPIC- MX. (I’m not going to harp on about the size of it or the price comparisons).
Even Jim knows that Sony have done very well with the F65 sensor and that was obviously pissing him off, because his new Dragon sensor has just given the the F65 notice.
All the F65 SONY purists out there will dispute this. But I have Sony files here with me, and I’m looking at both side by side… and Dragons grain (noise) structure is cleaner and it has more range.
Dragon is now the King. (AND… I’m not going to harp on about the size of it or the price comparisons). or did I ..ha !

The single one sentence i can say that can sum up everything is this..
It’s the first camera ever that I have used that captures exactly what I see with my own eye.
Never have I seen this before. !